Friday, March 1, 2019
French Cinema
French Cinema Scene analysis The pellet from the movie Rules of The Game by Jean Renoir shows many television camera techniques and uses the camera to clench the true meaning of the screen. I will be discussing and analyzing the characterization. The ask beautifully demonstrates the use of precise shots and perfectly executed dioramas. Throughout the scene of The Rules of the Game the camera is like another person in the room. It is invisible and wanders throughout the building almost like it is someone following what is happening.This makes for an elicit and new perception never seen before by film viewers. At one point in the scene the camera gets trapped and has to birr out as though it is being caught. A retentive with the presence of the camera you terminate notice rack thinking, the lighting is obviously controlled. The scene begins with a near foreground and pans out to far background as they fall upon throughout the building. One of the greatest aspects of the sce ne and the film is the incredibly long takes and long shots.This allowed us to be able to grasp whatever we treasured to see in every shot. Jean Renoir used montage change this gave the audience the freedom to choose what they wanted to see within the scene. The viewers are able to edit their own idea of the shot. As the scene progresses the camera moves weightlessly with the focus on the foreground while the two in the background escape through a door. The use of separation from the dorm to the main room acts as a sort of barrier amidst shots.Although on take it feels as though it is separated into two. The primary focus of this shot is to establish the idea that Schumacher is looking for Saint-Aubin. The concept is that the viewer demand to choose who to look at. It forces the viewer to be crossed between the main focus and the deep focus. There is no cut of the camera which would bring forth all prior viewer attention to be diminished. Because of the fluid camera movement it makes for a realization of what is going on in the background. The terminal concept is the montage that Jean Renoir uses.The faint light hearted piano harmony adds to an overall mood and feeling of the shot. For the most part the movie could be seen as dreary but this scene adds an almost lighthearted lumber as they move from the conversation in the hallway to the bigger room. boilersuit the film scene is a masterpiece in that the camera moves in such a way that allows the viewer to feel like you are right in the action. With All the techniques put into this particular shot you can clearly see that this is one of the greatest films ever made.
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